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Regina, why did you opt not to act in your film? You do a couple of takes and you go … “Yeah, that’s fine.” And then Grant will stick his head out and go, “Do another take, please.” “Oh, OK. I have my best buddy and producing pal for 40 years, Grant, who sits behind a monitor, and you want to do fewer takes on yourself than you want to do on other people, because you look like a schmuck otherwise. There’s nothing more fun than directing yourself.ĬLOONEY Well, I tell you, at least the actor knew what the director wanted, but it’s a tricky thing. It’s like going on location.” I just thought, like Fran in Fargo, women every single day are pregnant, going to work and doing their job, and why not in space and why not just deal with it?ĬHLO É ZHAO George, I am so shocked that’s not part of the book, because it’s such a huge part of the movie, the morning sickness before they had to go out into spacewalking. So we just looked at it and said, “Look, they’ve been in space for two years, people have sex.
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GEORGE CLOONEY We’re in Iceland on a glacier and I got a call from Felicity and she says, “Well, I’m pregnant.” I knew how to answer that, which is, “Congratulations.” But if you saw my face, I’m like, “Holy shit.” We started to try to shoot around it, which is always a mistake, because you can’t shoot around it. How did that surprise shape the direction you took on The Midnight Sky ? George, you found out Felicity Jones was pregnant while you were making your film and you had to adjust.
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So why is this not the conversation we’re having about de Rossi’s surgery? An an actress who has once spoken openly about her struggle to achieve an untenable beauty ideal, should we not instead be criticising the culture that may have led de Rossi to succumb to the pressure of surgically maintaining her youth - if we’re going to criticize anything at all? Assembling a crack team of cosmetic surgeons to publicly scrutinize an actress’ appearance is solving the problem of “what” (as if that was a problem) but not “why.” (In fact, it kind of is the “why.Sometimes happy accidents shape the way you make a movie. But imagine the actress had let herself age naturally? Damned if you do, Portia … Imagine the actress had let herself age naturally? Damned if you do, Portia By giving herself up to the public eye of the red carpet, de Rossi struggles with having foregone the right to exist in a world that asks her to do anything but worry about her appearance while simultaneously being ripped apart for doing so. There is a very specific type of pressure we put on the females of Hollywood – for de Rossi, now 40, the pressure is no longer just to be thin and beautiful, but to be young.
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This advertisement has not loaded yet, but your article continues below. I squandered my brain and my talent to squeeze into a size 2 dress while my male counterparts went to work on making money, making policy, making a difference.” Instead I stupidly and pointlessly just wanted to be considered pretty. I should’ve had my sights set on successful businesswomen and successful female artists, authors, and politicians to emulate. The images of stick-thin prepubescent girls never should have had power over me.
I was still answering to their demands when really I shouldn’t have been listening to them at all.
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I was still responding to the pressure to comply to the fashion industry’s standards of beauty, just in the negative sense. It was just the ‘f–k you’ response to the same pressure. “Being overweight was really no different. “By starving myself into society’s beauty ideal, I had compromised my success, my independence, and my quality of life,” De Rossi wrote. In her New York Times Best Selling book Unbearable Lightness, de Rossi wrote about her nearly decades-long battle with anorexia, bulimia and her sexual orientation (it took her a very long time to come out as a lesbian), concluding that she exuded so much energy worrying about public judgment that she held herself back.